supported by stephan bodzin, phonique, afrilounge, kombinat100. was hat ein am bosporus ansässiger liebhaber von punkrock, krawallmädels und katzen mit dem mecklenburger label acker records gemeinsam? richtig: eine vorliebe für anregend knackige tanzmusik, die sich selbst nicht zu ernst nimmt und vermutlich gerade daher so erfrischend anders und eigenständig ist. mit un chien andolou präsentiert sarp yilmaz eine akustische fortsetzung des sommers, zusammen mit lässigen beats bestimmen hier sonnige gitarrenakkorde, temperamentvolle kastagnettensounds und ein arabisch anmutender gesangsfetzen die stimmung. eine remixtechnische steilvorlage für eule:nhaupt & molle:nhauer, deren version sich durch den unverkennbar erdigen wupp im bassbereich, treibende offbeat-akkorde und dezenten bläsereinsatz auszeichnet. mit schneidigem funk und einer gehörigen prise minimal house repräsentiert the way you move die ackertypische abwechslung auf der vorliegenden platte. diesem anspruch wird auch der mollono.bass remix gerecht, der sich während der ersten takte nah an der atmosphäre des originals hält, dann jedoch mittels exzentrisch bis mysteriös anmutender pianoklänge in hypnotische tiefen eintaucht

a spiral of evolving and heady, sample-laden tracks unfurl on paco osunas latest ep, a richly produced melding of continent-spanning talent, with paco partnering up in the studio with real-life amigos daniel sanchez, alex under, joseph capriati and alexi delano. the amigos ep presents driven, moving grooves with satiating build ups, over densely-layered samples and drums. osunas seasoned skill-sets in the dj booth and as a producer come together knowingly in this release. osuna and his dutch/spanish counterpart daniel sanchez combine melodic and percussive samples in kawuriel, whilst with madrids alex under as his cohort, osuna transfixes with waaaa - featuring a distinctive pitch shifting sound throughout its phasing. your understanding of its unusual name will become abundantly clear upon the first listen. also notable is wope, which contains woodblock-esque percussion samples that compliment the rolling bass, co-produced with italian musician joseph capriati. the eps finale, waxfix, is a combination of the talents of osuna and swedens alexi delano, resulting in another cleverly-derived arrangement of steady bass drums and strong high hats. its a well-locked and smoothly syncopated, loop-based groove

soys debut release comes in the form of >red<, a no nonsense straight up house track with stabby chords and relentless groove evident on the s2k rendition. on remix duty cinematic pulls in the now berlin based parisian alexkid whos career spans over a decade in techno and electronics, originally cutting his teeth alongside laurent garnier at f-comm. alex pulls out all the stabs on his remix with a stomping kick that further extentuiates that groove and forms that hybrid of house and techno with soul. completing the ep >computer moods< already burning floors is the hidden gem on this package seeing some great reactions from watergate, berlin to secretsundaze, london. a dirty bass heavy drum track that tears through any funktion one sound system!! one not to sleep on!

the ep reminds us why we love techno so much, fans of mills, hood, dehnert and dettmann will adore. a perfect cross over between detroit and berlin signature sound.!! the title track hits us with a heavy metallic stab which quickly lock us into the groove as the underlying bass tones start to twist and turn our bodies without self control into a must have dancefloor friendsy an essential chord-driven deep techno cut, keeping it minimal yet packed full of funk.

debut release from new signing hugh crewdson jones, soon to be followed by his full length release >gravity<, scheduled fto hit the shops early next year. his music could be described as an upbeat and playful concoction of electronic music, taking in influences from techno, jazz, 2-step, dubstep, your doorstepË poses the question of what might happen if you threw polar bear, flying lotus, aphex twin and maybe even the streets in a room together.</ br>comes with code for free digital download of this ep.

ltd blue vinyl repress! this is what we were waiting for... 7 dirty, jacking & stomping yet warm & deep acidic analog jam-attacks from the the hague sewers only mr. smackos can deliver. served on two 12 dishes, monster release!

right in time for the start of winter federico molinari is back on >love letters from oslo< and presents us with >chucking express< a must-have ep. the same named remix is produced by rozzo from mountain people, an artist whose name speaks for itself. >chucking express< on the a side produced by federico molinari shows an unusual track, with a funky bass line and modern hip hop vocals, which the audience immediately smitten. also the remix of rozzo holds what it promises and presents itself as a classic rozzo track with harmonious chords, driving sounds and a groovy bassline. an experience in the cold winter days!

incl. florian meindl & max cooper rmx... hammered on beats in space by tim sweeney! hot on the heels of remixing royksopp, dapayk & padberg, juan maclean, crimea x florian meindl has been asked to remix hot chips massive >i feel better<. the result is a nine-minute floor-rocking sonic slayer with huge breaks and deep, meindl-style bass. it received massive ibiza support by the hot chip djs and has been rinsed by florian, to great response worldwide. it is now available on a special flash 500-run limited edition vinyl, boasting an additional hot max cooper remix

a1: >welcome to my world< (jfk rework) - dark, deep disco! has a real strong groove when it kicks in. very dancefloor orientated, suitable for the peak hours! vocals are icing on the cake, a great track! b1: >backed up< (jfk rework) - heavy beat, head nodding time! has a psychedelic feel, deep! horns add a bit on the top of the immense depth. killer track! b2: >blind man< - stuttering, strut of a song. cool idea, centred on the bass. a must listen

a1 – >10% is gone<: full bodied track, heavy melodic bass line really drives the whole thing! intro has a slight purple haze feel to it, the squealing atmospherics and percussion create a chilled ambience while at the same time the bass/kick combination keeps your head nodding! b1 – >free luv<: a very 80s sounding track, kraftwerk-esque rolling bass line. synth and strings add to this very pumping kick heavy piece! b2 – >in upper case< : highly percussive song, super deep bass and echoed and poppin synth sounds. this track really bounces: the brass section is a welcome addition along with a number of cool vocal samples. a real strong track

jeremy duffy (duffstep) brings us back to the deep, the spacey, the atmospheric, the groove. imagine blockheads, fly los, fingathings, mount kimbies and von ds sound, slightly reduce the beat to the soulful side, add synths and mid/heavy weighted bass and your almost there. as well as releasing music on his own label, join the dots, duffstep sent a copy of his demos to electric minds and after hearing >close< we immediately got in touch to sign the single. the track is one of the most powerful productions were heard this year and proved its worth when we heard it played as part of duffsteps av show on cargos huge system. big beats with a huge bass line, close is a powerful track that crosses the border of house and dubstep. to compliment the track we commissioned hreno & the mole to provide their take with a stripped back house version. in addition yam who also steps up for remix duties providing a killer boogie track. touching dub step , house and boogie the 12inch provides 3 sounds from the different corners of todays dance music scene.

now a full time member of australian super group empire of the sun and 1/3 of the genius of the swiss we honestly dont know how sid found the time to make this heated late night gem. all we do know is arthur russell was integral in his life when he turned it out. echoed moans and whispers, chunky bass line, percussion, arrangement and everything else involved in this 8 minute and 22 second burner are all by the shirtless gentleman of the night you now know as sidwho? session victim is matthias reiling and hauke freer, their house and techno adventures on delusions of grandeur and retreat records have been rinsed out many a time at our future classic parties and all around the world so we knew it was time to get a remix. some guys and gals might think this is too deep or minimal, you just need a bigger sound system!

originally released on chain reaction in 1996, pelons >no stunts< harks back to a time when the nowadays so gladly used and over-used term >dub techno< was still waiting to be found. but thats secondary. the main thing is: >no stunts< is here again. with addictive, heavily-transformed and echoed synth sounds connected to a strong and pulsating bass line, it is exactly that type of no-frills techno you just cannot stop listening to. now restored and remastered, the a-side contains an edit taken from the 1998 chain reaction cd >various: compiled…< - previously unavailable on vinyl. as if this wouldnt be enough advocacy for vinyl as the agent of choice, the flipside holds 30 locked grooves extracted from the original recording session of no stunts that you wont necessarily find in the track itself and most definitely not as downloads. especially enjoyable with two copies. the effects can last forever

jan driver “gain reaction : you might know jan driver from his famous techno life in the 90ies or maybe for his label grandpetrol, his extraordinary skills in german folk music, high quality mixing for siriusmo, jesse rose and modeselektor or last but not least also from his wmc 2010 #1 hit “tellyfoam” which was featured on the bnr miami noize sampler. here is the first maxi of berlin multi-action-talent and friend jan driver, presenting a selection of 4 tracks including “gain reaction , a good fun heavy bass bleep champ, “cs40m , a slower powerful jam that creates an energetic build up of pink noise and 303 sounds for the very special atmosphere, >hornetbeef<, a tech-house at its best and >mecafunk<, darker techno, big sounds, the right track to close this magnificient production of these 4 tracks. what more do you need

the third and final remix package for mathias kadens masterpiece album -studio 10- comes along with two reworks of mathias vakant label mates onur Özer and dewalta. onur Özers >hâre remix<, a massive, bass driven rework for kadens >chazz<, takes the track to a deeper, more jazzy level, until it fades out with a dreamy yet abstract melody after 11 minutes and counting. david koch aka dewalta takes on >ikenga< (an african god of time, success and achievement), which is surely kadens most played track of the album. david maintains the acidic vibe of the original, adds his very own funk and sends the track back to the dance floor.

as someone that wears many hats, including dj, labelowner, producer and radio presenter, anja schneider has certainly been juggling them all very successfully this year. currently on a busy touring schedule in south america celebrating five years of mobilee records, before leaving for the road she also put aside some time to get back in the studio and produce a brand new ep, mobilee072 pushin. whilst she worked on her most recent productions such as ithought and something left with kiki, and also shinkansen with lee van dowski, this time she partnered once again with paul brtschitsch, with whom she co-produced her debut lp beyond the valley in 2008. famed for playing dj-sets that always come with a powerful bass and sexy groove, pushin is the perfect production equivalent of anja schneiders club performance. the title track comes with a soulful vocal, whilst a2 >strong way< is intended as a female interpretation of the same track. meanwhile, b1 >i dont feel anything< takes you on an eery ride with whispered utterances. enjoy!

with the >debut remix album< alfred heinrichs scored on subdub in all charts through the ceiling. now he puts on mimique the >all about me e.p.< after 2 great songs in the distinctive style of heinrich. as known from alfred, fits his sound is not in a drawer. the galloping bass, the hot breaks and vocal snippets push the two songs at the heart of heinrichs night. rounding out the e.p. is the philip bader remix of >all about me<. this comes with a brash, cocky driving house beat around the corner.

first on decks.de !! wavering minimal compositions by german techno aficionado felix bernhardt. (a1) felix bernhardt - black donkey : a massive piece of bass concentration mixed with a round sound structure, sampled vocals and a thrilling build-up for explosive dancefloor moments. (a2) felix bernhardt - die lustige lokomotive : felix bernhardt starts the track with playful, melodic bleeps merging into a hammering peaktime track - quirky, dynamic and groovy all along. (b) felix bernhardt - black donkey (wahrlich & carbon remix) : with a pounding beat at the beginning, the remix of >black donkey< comes along rougher and more minimalist than the original. the track develops its own force due to its distinctive melodic sequences.

third vinyl release for the 250 rec, this is a young label which in recent months has an excellent reputation in the international scene, played and supported by many important djs and producers. >clownerie< is a complete ep.. three tech house tracks with different characteristics. the title track is the typical summer hit to play when the sun is rising on the dancefloor. >dem rober< and >padrino del tabaco> are the tracks that will blow up the dancefloor ! 250 rec.. groove and bass line.. try it!

auf den 7 tracks auf >pattern & grid world< begegnen wir synth- & vocoder-sounds, schizophrenem ping-pong-electro & nintendo-melodien, klassischem grime, bass- und drum-experimenten und schamanischen zeremonien. die maschinen / roboter / aliens sprechen, singen und erzeugen geräusche, teilweise aber auch eine eigenartige klangwärme irgendwo zwischen vintage dj premier und lee hazelwood (time vampires). entsprechend subtil-psychedelisch fällt auch das von dem bekannten designer theo ellsworth erstellte coverartwork aus

for detroit techno lovers ... fantasic record incl strong christian smith rmx...616 seconds highlights marcs dancefloor knowledge, and once again sees him harnessing the strength and power of contrasting sounds. the cascading and sweeping synths, sit pretty alongside the underlying, gated growl of the main bass-heavy synth, pierced only by its open hats and snare hits.

12 inch from yam who? on the demo disc imprint. side a: hi steppin yam who? rework >> brilliant reworking of classic track hi steppin, very chilled disco feel. glittery synths, hypnotic vocals and lots of funk from the bass. killer track! ... side b: come on and do me re-edit --> italo discoy bass, lovely female vocal and wait for percussive breaks!!

the truth: this one is for the indie lovers ? five tracks of homespun homegrown homemade shoe-scuffing heartbreakpop featuring a ruffled array of alternative special guest singers. gospel music, aka owen holmes, is the man at the eye of this particular humble hurricane. when he isnt emailing camera obscuras tracyanne campbell or darren hefner hayman he is playing bass with cheery floridian indiepop critters black kids. and when he isnt working on black kids somophore album he is laying down hobo-jumping leftfield nuggets when run the gamut from johnny cash to jonathan richman and beyond. but dont just take our word for it ? this is what gospel music has to say about himselfË

ltj – go man go - classic ltj! killer track, based around a synth loop, vocal and a real strong groove. a firm disco tune that will be loved on the dance floor!
alien trick – black mystic prayer (jfk rework) - jfk is bang on form with this rework! a deep and hypnotic track that has a real dark feel and a beat that rocks. the bass line carries the song throughout, another hit for the club!

footandmouths forth release sees the return of the prodigal sons s.a.s. after the success of fam001 they are back with another hot slice of vintage house pie! the a side is a great little vintage house rework, complete with great keyboard stabs, driving bass and ace vocal, tweaked for perfect peak time performance. a2 is a superb mid-tempo electro dub of the vocal…blinding! the flip features dreaming and were hit boogie territory with some aplomb! a serious 80s groove underpins soulful vocal and electro beats. the dub then hikes the tempo and jacks the groove into ny dub underground! great package from the s.a.s mystery men!

next cadenza masterpiece! just hynotic

the owl, like its namesake, sits in the shadows. its deep, dubby bassline lazily rolls along, as our franco-italian alliance layer their percussive elements. string stabs usher in the smooth-keyed break, before that weighty bass drops back in. on the flip, txarco brings a sinister, somewhat industrial brand of funk, provided brilliantly by its growling, predatory bassline. as scything sounds, breathy vocals, and a variety of drums rolls lunge from the darkness, and fade just as quickly, we are constantly guarded by our bassline protector.

again a new fresh talents lands on be as one. italys sehou is indeed a well promising artist and the israeli imprint surely has a careful ear when it come to signing its artists. >to who love< is as simple as it is beautiful, a true house masterpiece with a classic touch, to stand the test of times. >dark side of the sun< turns things darker and deeper, phat bass, phat grooves, sure effect. to complete the package gel abril strikes back again on be as one after bein gmissed for long on the imprint. keeping things basic but effective, the israeli brings funk to the floor in his own unmistakable style

claremont 56 seem to have a passion for the unnoticed and the unreleased, digging out gems from the past or oldies from the future. here we have four hands, a band from newcastle who laid this gem down in 1999. sounding distinctly like an adriatic sunset from 20 years previous. from subtle beginnings this track doesnt quite grow, it just drifts beautifully along, from warm pads to a deeper swelling bass, overlaid with delicate strings and languid orchestral touches. four hands deliver a modern day masterpiece, with a timeless woozy morning feeling. this is the warm embrace you need after a few too many the night before. limited edition!

up and coming portuguese dj kaspar with a sweaty dubby house track and gerd in the remix! coming on clone club series which previously had the classic release by mina jackson and mike dunn. the original version takes a more dubby laidback approach with deep bass lines and a nice loose groove. gerds old school mix continues the early 90s house tradition of reshaping, covering, re-playing classic basslines or hooklines to spread the good vibes. sharp and tight remix that delivers big time. club house music in its best tradition!
comes on clear / dark blue marbled vinyl.

incl. len faki remix !! huge support from, adam beyer, chris liebing, dubfire, joris voorn, dave clarke…. figure label founder len faki offers up an absolute treat with a very special remix of pfirters >the dub track<. a tectonic monster reconstructed, re-inforced and stamped with the berghain residents seal of approval. extremely hard to ignore, this high-end techno weapon is packed full of tension, detail and of course fakis trademark rumbling, deep and warm bass energy.

with support from the likes of steve (allez allez), henry saiz (bedrock, renaissance), ryan davis (cocoon, maripoza) … comes rising up from spains capital, madrid, comes a new eclectic dance oriented-no boundaries music label: blue cola recordings. with an ever growing catalogue that ranges from straight forward club sounds to more experimental new wave post everything music, blue cola recordings is sure to be driving force in the electronic scene for many years to come, or we will die trying… killing everyone else in the mean time. our first release comes from dutch producer robbie pardoel who sets the mood in an easy listening tech-house way, then chilean wonder boy and regular border community artist, ricardo tobar delivers a powerful remix in his unique post punk style. the ep is completed by spanish secret producing combo the hongkonites who get the last laugh with a weirdly beautiful bass techno remix. blue cola rec. team, its fresh!

big with: dubfire, roberto rodriguez, mijk van dijk, karotte, kissy sell out, makossa, david durango, aga heller, franksen, dan mangan, greg churchill, louis osbourne,.. following the huge >human you< (moon033) the much loved disco bear ante perry returns in a double-trouble beatdown head-to-head with tube & berger.just pure and simply an anthem, >ever never< is the type of record that you know you ll love even before its started. drenched in melancholic synth pop melody, heart-warming bass lines and euphoric moments, this future classic builds to a real finale!stereofunk provide a techier remix that treads the colourful lines between disco, tech house and cosmic exploration! soaring synths and funking basslines combine in this italo-inspired treat for the dancefloor

nice price deal !!! originally from poland, young drum & bass producer xilent now resides in edinburgh, scotland. after first breaking onto the scene in 2007 he has steadily risen through the ranks with his intense, muscular yet funky and uplifting style.

the volcano mount vesuvius is the inspiration for mike parkers new release on geophone. cavernous echoes, thundering analogue bass and spacey bleep tones are blended together in mikes unique style. 3 tracks of maximum volcanic techno!

volume two turns deeper. listen. dig further. acidic meltowns and bass thrusting. let the music speak for the music. artist unknown.

fifth release on the acclaimed imprint from those lovely people over at the acclaimed sleazybeats blog. the dust just doesnt seem to settle at team sleazy who are set to unleash their fifth dish of mid-tempo filth. sbr005 should likely round out what has undoubtedly been more than a successful year for the sleazy beats crew. as hard as it might seem to upstage their recent sampler, this release by berliner daniel solar (of no more hits and dikso fame) is another trio of totally on point sleazy business which showcases daniels stellar skills. things start off with midfidelity funk, a snappy romp through steady synth and disco string territory. this little number delivers a perfectly spell-binding groove with nicely placed rhodes stabs, crisp tambourines and haunting vocal at the breaks. on the flip, twinkle love snaps out a sweet melange of piano, guitar/bass riff and morphing vocals that combine to give a lively mood and open atmospherics. finally, rounding up the ep is la fleur, a wonky yet punchy cut thats ripe with staunch drum sounds and strings amidst loopy vocal snippets for good measure. all three tracks ride a 110ish bpm groove that is likely to ring bells for those who have been following and digging the sleazy sound so far. the last few releases all sold out in a matter of weeks, so dont sleep on this. you know the drill by now: limited release, no repress.

cultivated electronics is proud to present its 5th release of the year with a remix ep of electro legend carl a finlow aka silicon scally. the track >process< was originally featured cultivated electronics ep 004 and is now re-worked by label head sync 24 and electros flavour of the moment, finish duo morphology. sync 24 opens up the ep with a dark techy interpretation of the original track. chopped up voices, quirky analogue bass lines and spooky atmospheres rolling along at 135 bpm are the order of the day. hot on the heels of two storming eps on abstract forms and an impending long player on zyntax motor city, morphology (aka crc) turn in an analogue machine funk remix combining dark and trippy tones with subtle melodies, sharp beats and tight sequences.

dan ghenacia steps up with a stunning double solo offering with globe/ gentelized, a rare production offering from the parisian star, this time lending his brand of freakiness to cdr (crosstown digital rebels).globe takes you on a 3am dance floor journey, its steady, driving beats riding the swelling ambience of abstract melodic effects. psychedelic elements cry in unison, unravelling a blanket of swirling synths in descent and crescendo. gentilized finds its heart in heavy rolling bass and soothing sumptuous female cries. inspired by dans kwality years at batofar, this production oozes aquatic sonics and fluid chords, with deep and dreamy layers of percussion pouring over each other. forging an effortless groove in the bass and hypnotic sweeps of melody, this track is dan at his playful best. one of the undisputed pioneers of the parisian house and techno scene, dan ghenacias influence is undeniable. through his productions, revered freak n chic label now in its seventh year, notorious parties at batofar in paris and legendary residencies around europe including dc10 and space in ibiza, he has remained at the forefront of the scene for over a decade.

sehou provides a prime piece of forward-looking nostalgia for metrolines latest release - the cirkus ep. up and coming talented producer from the south of italy, sehou was the man behind the massive track -she makes me wanna dance- released on all inn limited thats been hammered by ricardo villalobos in pretty much all of his sets for the past year. the brutal bass groove of cirkus calls to mind classic era r&s, its choppy vocals and skittering percussion give the track a raw funk, while its smooth pads add a reassuring, warm flow. untitled to her is a relentless robert armani-style workout, with a hint of chi town bubble and funk. driving chords and simple drum patterns give the tune serious momentum, while plenty of breaks in the rhythm and machine gun buildups make sure you dont lose the groove. romanian producer cristi cons aka case sensitive. after dark interpretation is a gloriously meandering, fluid rework. its subterranean bass bumps and heavily filtered synths give the track a brilliantly disorientating feel, while its tense and tight arrangement bring a tense energy.

lessismorecordings head honcho gideon hommes has no time to waste. he lives for music 24 hours a day. producing, recording, spinning, selling and above all, loving music is what keeps him busy. there is no past, only future and gideon is setting the standard higher and higher with his ever-evolving productions. with this special doublepack (sold seperate) 12inche he showcases the talent surrounding him. diversity is the key and great music is what its all about

this may seem like an unusual signing for claremont 56, but this is about as balearic as it gets. mudd builds up from the drums into the live bass ...

projections a.k.a. simon james and dan hastie have been getting busy in their la studio re-tweaking and redefining their future funk formula. the title track >southern girls< (a1) is a blinding distorted disco odyssey that comes off sounding like a righteous metro area remix of tom browns >funky for jamaica<! simon and dan keep the quality level at a premium on the b side selection >late nite< a slick, soul drenched electo boogie anthem that harks back to the classic 80s productions of artists like atlantic star or michael jackson circa >off the wall<. dynamic fender rhodes vibes, poppin percussion, and subsonic bass tones provide set the proper interplanetary funk agenda for new vocalists wades powerful falsetto soul stylings which are guaranteed to warm up any late night steppers set.

incl. sascha dive remix!! ray okparas ama recordings returns after the resounding success of its debut release for ama002, the surrender ep by vernon & dacosta, the belgian based house project of vernon bara and massimo dacosta. the pair have been producing music for 10 years since meeting in belgium and have released tracks on labels such as om records, robsoul, aroma, a second smell, icon, diy, amenti, ready made, klassic fiasco, off rec. and many more. they have remixed over 40 tracks for artists such as brett johnson, fred everything, johnny fiasco, swirl people, jt donaldson, bear who? and someone else to name but a few. the surrender ep is characteristic of their style with a cold, industrial groove comfortably juxtaposed with an infectious soulful spirit. the lead track, about our music, centres on a groove that just keeps on keeping on, sleazing its way through your body before the vocalsam ple with an ode to jazz punctures the track. one of the finest exponents of the groove, sascha dive, steps into the remix for about our music with a dark beat dub that corrupts the bass line and warps the vocal into a distorted, eerie sermon…

two more missives from the leng stable, a stable basking in late afternoon sunshine the whole year round. here we have two remixes of cantoma tracks. on side a is ray mangs remix of under the stars a subtle disco groove, with a sweet rolling bass and a languid horn line that gently eases into the back of your mind, luring you into a hypnotic swirl. over on side-b lexx steps up to deliver an equally stunning take on gambara immdediately setting out a more electronic lilt, the track steadily builds into a mid tempo throb as the vocals wash over proceedings, while flute and acoustic guitar make way for each other in the melody stakes. timeless sounds on both sides evoking the summer just passed

first on decks.de !! a two tracker of smashing minimal poetry.
a: daegon – subcon2 : shady minimal sounds turn into vivid dance floor intensity. a gently boosting track containing shivering bass lines and nifty rhythmic compositions.
b: daegon – subcon2 (octave remix) : french fellow octave turns the original to a full throttle dj tool, using cushioned basslines that create a massive dancefloor alternative.

intense, deep,raw and dirty tracks by marco bernardi. his first release on clone records in a while and what a record! two tracks build around unpolished rhythms and open beginning that dont reveal immediately where its going. quiet unpredictable is the a-side that slowly opens up with a sultry string and then completely bursts open with a shiny melody that is in beautiful contrast with the raw percussion. broken silence is another deep track founded on a basic rhythm and metallic detroit bass line. topped with spoken words (by keith tucker from aux88) and bleepy melodies, underlaid with a deeper sexy bassline. a track rooted in the best traditions of techno... weve played this one over and over! machine music by men!

believe it or not !! new hardfloor album ! with acid !! killer !! mastery is distinguished by the difference between being able to create something because you know about it, and creating something because you are it.hardfloor are the masters! masters of what? masters of the -sound of acid-, the style of techno they invented and infected the world with by unleashing the groundbreaking and infinitely imitated -hardtrance acperience ep- in 1992. that unmistakable groove, that pumping house bass, that swirling modulating melody, that throbbing acid house vibe and those climactic builds and breaks - a new sound for the dancefloors of the planet. yes, this is 2010 and that was 18 years ago. a lot has happened since then and music has changed